36”x36” Original is 1800.00 / 25 Limited Numbered Editions are 1200.00 / Colorado Editions are 500.00
“002_0A”
It begins unexpectedly. You walk into the room, and before you even name what you’re seeing, you feel it — a flicker of recognition that runs just beneath awareness. The piece pulls at your attention the way a half-heard voice might in a crowded space, or a sudden flash of color might make you turn your head. You think you recognize something — a structure, a rhythm — but it slips away as soon as you reach for it.
That moment — that beautiful uncertainty between knowing and not knowing — is where this work lives. The composition seems to move as you do: planes of violet and aubergine sliding in and out of focus, slashed through by radiant orange lines that feel almost kinetic. Geometry here isn’t static — it’s alive, pulsing, charged with perception itself.
My work explores how the brain translates pattern and light into emotion — how geometry becomes a language the body understands before the mind interprets it. Rooted in neuroaesthetics and biogeometry, each angle and hue is designed to engage the neural systems responsible for recognition, focus, and calm. The orange lines act as triggers for visual attention. At the same time, the layered purples invite a physiological release — a harmony of tension and ease that mirrors how we process the world, another chapter.
For the collector, the experience is both intimate and dynamic. The longer you look, the more you begin to sense — not just see — the spatial rhythm unfolding in front of you. It’s a dialogue between art and cognition, intellect and intuition. A reminder that perception is never passive; it’s an act of creation.
To own my work is to live with perception itself — to witness how light, geometry, and emotion continually realign. The piece changes with you; its energy responds to mood, attention, even time of day. Collectors often describe a quiet magnetism — the sense that the painting is thinking back, revealing new harmonies each time it’s seen.
It is less an object to possess and more an environment to experience — a living dialogue between mind, matter, and meaning.
36”x36” Original is 1800.00 / 25 Limited Numbered Editions are 1200.00 / Colorado Editions are 500.00
“002_0A”
It begins unexpectedly. You walk into the room, and before you even name what you’re seeing, you feel it — a flicker of recognition that runs just beneath awareness. The piece pulls at your attention the way a half-heard voice might in a crowded space, or a sudden flash of color might make you turn your head. You think you recognize something — a structure, a rhythm — but it slips away as soon as you reach for it.
That moment — that beautiful uncertainty between knowing and not knowing — is where this work lives. The composition seems to move as you do: planes of violet and aubergine sliding in and out of focus, slashed through by radiant orange lines that feel almost kinetic. Geometry here isn’t static — it’s alive, pulsing, charged with perception itself.
My work explores how the brain translates pattern and light into emotion — how geometry becomes a language the body understands before the mind interprets it. Rooted in neuroaesthetics and biogeometry, each angle and hue is designed to engage the neural systems responsible for recognition, focus, and calm. The orange lines act as triggers for visual attention. At the same time, the layered purples invite a physiological release — a harmony of tension and ease that mirrors how we process the world, another chapter.
For the collector, the experience is both intimate and dynamic. The longer you look, the more you begin to sense — not just see — the spatial rhythm unfolding in front of you. It’s a dialogue between art and cognition, intellect and intuition. A reminder that perception is never passive; it’s an act of creation.
To own my work is to live with perception itself — to witness how light, geometry, and emotion continually realign. The piece changes with you; its energy responds to mood, attention, even time of day. Collectors often describe a quiet magnetism — the sense that the painting is thinking back, revealing new harmonies each time it’s seen.
It is less an object to possess and more an environment to experience — a living dialogue between mind, matter, and meaning.